First Weekend with the Fuji X100S

As you can see from my last blog posts (here and here), I’ve really enjoyed the simplicity of traveling with a 35mm lens or at least a 35mm field of view. The problem is that the D700 and Sigma 35mm f/1.4 ART make for a seriously heavy and bulky combination, not to mention something that screams “I’m a photographer!” What I’ve needed is a small, reasonably lightweight camera what won’t make me miss the D700 + Sigma 35mm combo while on a trip.

Well, as a birthday present to myself I picked up a Fujifilm X100S. It’s much smaller and a lot lighter than the big FX body. It has a fixed 23mm f/2 lens and an APS sensor, giving the field of view of the D700/35mm. It has a brilliant hybrid viewfinder that combines an optical rangefinder-style finder with a LCD via a beam splitter.

I’m really looking forward to getting to know this quirky camera and I’m sure I’ll put together a more complete review sometime in the near future. For now, here are some photos from my first weekend with the X100S (including a couple of in-camera panoramas). All were shot as JPG with various in-camera film simulations.

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Studio Cat Portraits

Last weekend I tried using my new background kit (stands + white seamless) to shoot some portraits of our cats, Gracie and Professor Noam Chomsky. For the key light I used an Alien Bee B800 with gridded beauty dish from camera right, somewhat close to the posing stool. A Paul C Buff Brollie Box on a 2nd B800 was the fill light, set back from camera left. Both lights were set to equal output power, so distance controlled the intensity on the cats. The background light was a 3rd B800 with barn doors to control the spill.

“Posing” the cats was an exercise in patience. While Gracie eventually chilled out on the stool and let me get a long series of shots, Chomsky had no interest. The lamb skin helped but I still only had 10 seconds after setting him down before he’d run away to the bedroom.

I shot withe the D700 + AF-S 85mm f/1.8 G on a tripod and cable release, allowing me to shoot from the floor between the camera and cats.

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Simplifying Travel with a 35mm Lens – Part 2: Vancouver, BC

When getting ready for a work trip to Vancouver last week I must have re-packed my camera bag at least 5 times before settling on the Sigma 35mm f/1.4. Vancouver is a city with big views and as much as I wanted to simplify the travel kit I knew that there would be many occasion where a wide field of view would be needed. In the end I stuck with the 35 for its simplicity and beautiful optics and thankfully I had no regrets.

In the woods I shot at f/1.4 and ISO 1600. For epic landscapes I shot panoramas at tiny apertures. Again the focal length was perfect for capturing scenes just as I saw them.

All below are D700 + Sigma 35mm f/1.4. Some here are of my co-worker, Connor, trying to capture the perfect selfie. Others are of Clevelend Dam, English Bay and downtown Vancouver, Lynn Canyon, TRIUMF, and Granville Island.

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Simplifying Travel with a 35mm Lens – Part 1: Toulouse, France

I recently travelled to Toulouse for work and naturally had a tough time deciding what lenses to bring for my time off. Wide + tele came to mind and is something I’ve done in the past with the AF-S 18-35/3.5-4.5 and AF-S 85/1.8. Or just the wide, or maybe a 50/1.4. In the end I chose the Sigma 35/1.4 as the sole lens for 6 days.

35mm has a nice, natural field of view for travel and often captures a scene similarly to how we remember it. It’s not so wide that the framing becomes difficult and not so tight that information is left out. In the cases where a wider field of view is needed it’s not a big deal to snap off a quick panorama and stitch later at home. The Sigma version has excellent sharpness and contrast, even at f/1.4, and has snappy and accurate autofocus – something equally as important as image quality i situations where you need to capture fleeting moments.

Here are a few shots from the trip with the D700. The weather was absolutely outstanding and the city had just decorated for Christmas.

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