A Review of 2020

Well, the best I can say about 2020 is that it will be over in a few days (Edit – that sounds pretty negative. In reality, some wonderful things happened this year. Top of the list is that Jenny and I got engaged back in February. I had an excellent 40th birthday party, travelled to San Francisco and hiked at Big Basin Redwoods, had some some fun and safe distanced hangouts with family and friends, saw over 100 species of birds in Waterloo region, and the list goes on …)

As I posted last time, I get a lot of my photographic inspiration from travel. With that restricted I’m still happy to have had a decent year, photographically speaking. I spent many hours walking local trails, binoculars in one hand and camera in the other. I picked up the film cameras again, and have a few rolls waiting to get developed.

I finally admitted that I was a birder and bought a Sigma 150-600mm Contemporary lens. Within the first couple of weeks I got some shots that would never have been possible without the reach, and that I would be proud to hang on the wall.

Here are a few of my favourites of the year, in no particular order.

Photography and COVID-Times

I feel that I’m a photographer who takes most of my personal favourite shots when outside of my normal day-to-day life. This can include travel, concerts and events, or getting up close and personal with new people. Now that we’re living in greater isolation and travel is a no-no I’ve been forced to adjust. Now I’m not saying that Jenny and I are living as shut-ins. We get out for walks and bike rides, the occasional distanced family visit or patio drink or meal. But we’ve left our 30km radius just twice since March.

It’s wild to think that I’ll go over a year without a real trip. The last two places I visited were the Bay Area and Barcelona (and I’m grateful to have seen both, one now ravaged by fire and the other COVID-19).

So, where does that leave me? How do I get artistic satisfaction from a limited scope while remaining socially responsible? Here’s what I’m trying so far, accompanied by photos taken during these strange Quarantimes:

Getting out of the house and taking the camera everywhere I go

First off, if I go out for a walk or bike ride I bring a camera. As much as possible it’s around my neck instead of stuffed in a bag. I usually simplify to just one body and lens. The X100F has been ideal for this because it doesn’t weigh me down and has the right ergonomics and response to quickly snap a good shot but also the control to encourage me to take my time to get an even better one.

Trying different media or styles

To be honest, I have too much gear. Two DSLRs and the X100F are already enough but then I have three film bodies in rotation as well, including condiment shelf in the fridge full of expired film. When getting out I try to mix it up, sometimes bringing just a film body, other time visualizing in black and white or other colour profiles.

Stepping out of my comfort zone can inspire creativity. Often I don’t get a good result but that’s not the point because the playing around makes me happy and inspires me to keep shooting. My goal for the late autumn and winter is to switch to black and white entirely, or at the very least to envision every shot in black and white first and only switch to colour if it’s a significant improvement.

Frequent returns to the same places

I have a few go-to places in the region that I return to many times a year, especially now that I’m not travelling far. Schneider’s Bush, Health Valley Trail are quick to get to by car and Breithaupt Park is a short walk away. I love seeing how the scenery changes from month-to-month, day-to-day or even hour-to-hour.

A benefit to revisiting the same spots is that I can plan for the future. Certain scenes look ok at the present time but have great potential to be stunning with the right conditions. Take the photo above for example. I’ve walked that part of the Health Valley Trail dozens of times but finally I decided to come at sunset. I rushed to exactly this spot, a 15 minute walk from the car, because I knew it would give me something beautiful if the sky panned out (which it did).

Photography by bicycle

I dabbled in this just a bit this year but I want to start cycling to local photography destinations by default instead of driving. There are many benefits, besides health, to getting around by bike with a camera. For starters, the journey becomes equally as important as the destination. Combining road and trail provides new views on familiar things and the process of stopping a bike and shooting is a lot more efficient then parking a car and hauling out gear.

Our city has invested hugely in cycling infrastructure lately and since COVID came has separated off lanes of major roads for bikes, opening up many new routes to get around. More people should be taking advantage of this opportunity!

My longer term goal will be to set up a lightweight cycling photography kit, either using a handlebar bag or trunk bag or combination of both. In either case it will need to be incredibly durable and well padded so that if I drop the bike I won’t damage any gear. I’d love to be able to leave the house for an all-day photography ride, with a little camera kit and lunch and a coffee. My X100f would be perfect but maybe the D750 with the super light 24, 50, 85 f/1.8 lenses and the little Manfrotto Befree would work too. I’ll keep everybody posted!

People are dealing with COVID-19 in many different ways. These are a few of the ways I’ve coped with having my photographic scope limited but I’d love to hear if any of you have other suggestions.

A Week in Toulouse

For the second time, my job sent me to Toulouse, France to speak at an image sensor conference. I had a few days off after and was able to explore the city.. For the most part I used the X100s, shooting only in JPG. I had the D750 as well, with AF-S 18-35mm f/3.5-4.5 G, AF-S 50mm f/1.8 G and AF-S 85mm f/1.8G.

 

A Foggy Saturday

We’ve had a week of fog and unseasonably warm weather here in Southern Ontario. This Saturday I took advantage of the moody atmosphere to grab a few photos. The first two are from a walk at RIM Park with the D750 and AF-S 70-200mm f/2.8 VR (a lens I’ll talk about soon).

The night shots are from the X100s.  Lately I’ve been playing with the X100s in full manual mode (AF, shutter and aperture). It’s slowed down my shooting but I’ve enjoyed having full control and better consistency from shot to shot. My method is to first set exposure for the scene using the LCD in the view finder and then switch to the optical view. To focus, turning the focus ring on the lens activates the virtual split prism, where the centre of the image is magnified and superimposed with a split image generated from the AF phase-detection sensors. Focus is achieved when the split image is aligned.

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Sigma 50mm F1.4 ART

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This past August I had a break-in at my house, and the savvy thief stole most of my camera equipment. Gone were the D300s, D700 and D750. 18-35 f/3.5-4.5, 60 f/2.8 macro, 135 f/2 DC and Sigma 50mm f/1.4 EX. With insurance to the rescue, I set about replacing what I’d lost. The D750, 18-35, 60 and 135 were straightforward to replace directly. The Sigma 50, on the other hand, was tricky.

I’d picked up the 50 EX at BH Photo in Manhattan a few years ago and it was a bit of a mixed bag. Often, but not always, sharp but with incredibly inconsistent metering and AF. It was a beautiful lens on the D700 when it was on its best behaviour but with the higher resolution D750 (and when playing around with the D800 and D810) it just wasn’t that sharp at wide apertures. Now, the EX is no longer produced and couldn’t be found at any stores. The natural substitute was the newer, bigger and heavier ART version. Much bigger and heavier. Like huge for a 50.

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The resolution from this lens is outstanding across the frame at every aperture. Focusing on just the eye gives a great effect for portraits and shooting wide open with a razor-sharp focal plane and creamy bokeh is no problem.

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D750 f/1.4 ISO 720

AF accuracy has been a bit inconsistent but really not bad. Better than the EX but not as rock solid as Sigma’s 35mm f/1.4 ART. Unlike the old EX, exposure accuracy is no worse than the rest of my lenses (not counting the AF-S 85mm f/1.8 G, which tends to overexpose).

I tested the lens against my AF-S 50mm f/1.8 G and found it to be considerably sharper at open apertures. Out-of-focus highlights show less of a cat-eye effect but the overall bokeh isn’t much different. I shot the two lenses back to back using christmas lights as point source highlights. In the second image you can see that the ART is sharper at f/1.4 than the Nikon is at f/1.8.

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Left: ART at f/1.4; Centre: ART at f/1.8; Right: AF-S G at f/1.8

Here are a few more shots:

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f/1.4

First Weekend with the Fuji X100S

As you can see from my last blog posts (here and here), I’ve really enjoyed the simplicity of traveling with a 35mm lens or at least a 35mm field of view. The problem is that the D700 and Sigma 35mm f/1.4 ART make for a seriously heavy and bulky combination, not to mention something that screams “I’m a photographer!” What I’ve needed is a small, reasonably lightweight camera what won’t make me miss the D700 + Sigma 35mm combo while on a trip.

Well, as a birthday present to myself I picked up a Fujifilm X100S. It’s much smaller and a lot lighter than the big FX body. It has a fixed 23mm f/2 lens and an APS sensor, giving the field of view of the D700/35mm. It has a brilliant hybrid viewfinder that combines an optical rangefinder-style finder with a LCD via a beam splitter.

I’m really looking forward to getting to know this quirky camera and I’m sure I’ll put together a more complete review sometime in the near future. For now, here are some photos from my first weekend with the X100S (including a couple of in-camera panoramas). All were shot as JPG with various in-camera film simulations.

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What would you like to see at owencherry.com? – A request for feedback.

Hi all.

I’ve been writing this blog for a few months now and have reached around 40 posts. As my first blog it has been a learning experience and I’ve had to put serious thought into choice of content, writing style and self-editing. Usually when I’ve talked about photography it’s been more of a rambling, through conversation or online chat. The blog format requires me to be much more structured and clear.  While I have writing experience through academics (Physics Undergrad and Masters) and my work (Teledyne DALSA), most of it has been dry technical stuff. I want my personality to show through in this blog. I hope that I’ve been writing with the right balance between technical and personal… keeping my posts interesting and relevant.

Now, I have a big list of posts that I would like to make. Some weeks, especially in the winter months, are photographically dry. When don’t have any current work or experiences to show I draw form the list (cool techniques that I use, gear reviews). My Oldie-but-Goodie Thursdays posts are a fun way to look back at some of the images that I’m proud of or find interesting. Still though, I wonder if there are any improvements to the content that I can make. So I ask:

What would you like to see at owencherry.com?

Are there types of posts that you would like to see me make? or make more of? I could include more detailed technical information in the posts. Or more simplified information. Or rants/opinions.

How about the writing style? Is it informative enough? For beginner photographers, do I gloss over any details that would otherwise make the posts more useful? For more experienced photographers, do I need to go more in-depth?

Should I include more personal content? Photos of my cat?

Please feel free to comment. I would love for this blog to keep improving in quality of content and grow in readership.

Thanks everybody,

Owen