New Batch of Developed Film – Part 3

Here are the best shots from a roll of Fuji Velvia 100 that I scanned tonight. Shot on the Bronica ETRS and the MC 40mm f/4.

img145 img136 img137 img138 img139 img140 img141

Misty Woods of Belfountain

This post shows an alternate, and quite different, take on one of my favourite images of 2012 (the other version is here). While the first image I showed was a panorama taken with a DSLR, this version was on film with the Bronica ETRS.

Two pieces of equipment were absolutely necessary for this shot. First, a tripod with the ability to set the legs at independent angles. I had to set the tripod on a pile of rocks and being able to position each leg to follow the terrain helped considerably. Second, a graduated neutral density filter. These filters are divided in half, top to bottom. One one side they are transparent and on the other they block light by a fixed amount without adding any colour caste (hence, “neutral”). The interface between the two halves is a gradient with one fading into the other so there is no sharp transition edge.

Bronica ETRS with MC 40mm f/4. Probably around f/8, 1/8s on Fuji Velvia 100. Scanned with the Epson V500. Colour correction, levels and sharpness in Photoshop CS5.

img135