New Batch of Developed Film – Part 3

Here are the best shots from a roll of Fuji Velvia 100 that I scanned tonight. Shot on the Bronica ETRS and the MC 40mm f/4.

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Misty Woods of Belfountain

This post shows an alternate, and quite different, take on one of my favourite images of 2012 (the other version is here). While the first image I showed was a panorama taken with a DSLR, this version was on film with the Bronica ETRS.

Two pieces of equipment were absolutely necessary for this shot. First, a tripod with the ability to set the legs at independent angles. I had to set the tripod on a pile of rocks and being able to position each leg to follow the terrain helped considerably. Second, a graduated neutral density filter. These filters are divided in half, top to bottom. One one side they are transparent and on the other they block light by a fixed amount without adding any colour caste (hence, “neutral”). The interface between the two halves is a gradient with one fading into the other so there is no sharp transition edge.

Bronica ETRS with MC 40mm f/4. Probably around f/8, 1/8s on Fuji Velvia 100. Scanned with the Epson V500. Colour correction, levels and sharpness in Photoshop CS5.