Blog Week Day 3 – Catlantis

Day Three!

On the weekend I did a little photo shoot with Milosz for our new musical project, Catlantis. This particular photo is a bokeh panorama comprised of a full SEVENTY shots with a wide open Nikon AF-S 85mm f/1.8. My technique for making this kind of image, often known as a Brenizer Method composite, is to set the camera to small JPEG, manual focus, manual exposure and fixed white balance (not AUTO). There’s no need in having a large size JPEG as each shot will only make up a small part of the final. Manual focus, exposure and fixed white balance are important to keep the same look from shot to shot.

I use either Photoshop or Microsoft ICE to do the stitching. ICE seems to handle more complicated stitches better than Photoshop and has a very simple operation where you just drag the series of shots into it and let it run.

So here it is, my biggest Brenizer yet. Shot with the D300s with AF-S 85mm f/1.8G at f/1.8 1/500s ISO 100.

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A Flooded Field – Two Golden Hour HDRs

Driving to Guelph last week I came across this flooded field with just the right clouds and just the right lighting. Each shot is a high dynamic range (HDR) composite of three images separated with a stop of exposure difference between each. Yes, that’s my Mazda 3 parked up ahead in the first image.

I should also mention that I was on my way to a formal dress-up cocktail party, so I was in a full suit and dress shoes. I’m sure the passing cars must have had a laugh…

D300s with AF-S 35mm f/1.8 DX at f/8 ISO 200.

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